They each have halos around their heads. We are witnessing the material word shining with light, like Christs garment on Mount Tabor. So what our mosaic concentrates on is not so much Christs transfiguration but ours. the other side female, replaced the mosaics created In Roman times they also represented victory. This theme of beginning and end is further alluded to by the depiction (executed in the 7th century) of Jerusalem and Bethlehem atop the triumphal arch. They delight the beholder immediately but at the same time possess layer upon layer of meaning, which reveal themselves only to the patient. So this hymn traces the stages from God-given nectar, to the work bees transforming nectar into honey and wax, followed by mans work to change the wax into candle. So our mosaic suggests a link between this promise to Abraham and the kingdom to come, in which the faithful from many nations are gathered into the New Jerusalem, the kingdom of God, to live in an everlasting covenant with Christ. This theme of priestly offering is further developed by our mosaic, but we shall discuss this a bit later. We could say that he is there simply because he was the first bishop of Ravenna. On the south wall of the apse is a depiction of the priest king Melchizedek. Perhaps if we all lived our faith more profoundly the many creative theological visual alternatives wouldnt seem so controversial. Justin, that the Eastern Orthodox Church could learn a lot from the creative approach of the early Western Church when it comes to expressing timeless theological truths in its church schema. The brightly coloured clouds suggest the bright cloud that overshadowed them. They are angelic warriors sent to war against demonic enemies and protect the world and the Church. This tier capitulates all that happens below. In fact, his palace was next door. In this case, He has become the Gardener in Eden. - [Steven] In fact, this As a young man in my 30s, I beheld the beauty of this mosaic in Ravenna, contemplating all that appeared and for years trying to understand the conflation of imagery therein. Detail. Shop our jewelry in italy selection from top sellers and makers around the world. I suppose its like you said, Aidan: the root of the problem is a superficial spiritual life. It is a precursor to the rich vision that St Maximus the Confessor was to write about a century later, where the human person becomes in Christ both microcosm and mediator, to use Lars Thunbergs phrase. It is here, during the Holy Liturgy, that the Holy Spirit descends and makes the bread the Body of Christ, and the wine His Blood. Irenaeus reminds us that Man is created in the image of God [i.e. The disciples kept this to themselves and did not tell anyone at that time what they had seen. Luke tells us that they were speaking about Christs departure about to be fulfilled in Jerusalem. Perhaps this is the meaning of the ciborium held by the emperors attendant. After he had communed with God and received the tablets of the law on Sinai, Moses had to leave the summit and descend back down to the encamped Israelites. People visit mountaintops, but they do not stay there. It depicts the priest King Melchezidek standing behind an altar with bread and wine, with Abel offering a lamb on his right, and Abraham offering Isaac on his left. This tier capitulates all that happens below. But now we know the praises of this pillar, After he had communed with God and received the tablets of the law on Sinai, Moses had to leave the summit and descend back to the encamped Israelites. [1] Saint Irenaeus, quoted in Man and the Incarnation: A Study in The Biblical Theology of Irenaeus by Gustaf Wingren. Our mosaic reflects all these associations. Abel, Melchezidek, Abraham and Isaac, 7th century. figures that are seated around a table that are - The Edenic task. These delighted my senses, but at the same time inflamed my curiosity to find their source and to enter their garden. Basilica of Sant'Apollinare Nuovo, Ravenna, Italy, Magic Lantern Glass Slide. The mosaic is a representation of the famous story from the Bible of Jesus feeding the 5,000 with the 5 loaves and 2 fish. The artists power over his or her medium is that of craft and wisdom (Minerva the Roman god of wisdom was pertinently also the good of crafts). While he was speaking, a cloud appeared and covered them, and they were afraid as they entered the cloud. largest figure, Christ, dressed in imperial purple. They went up onto a mountain to pray. 6th century. It is enacted in the Holy Liturgy that is performed within its embrace, for the mosaic is in an apse and therefore surrounds the sanctuary and Holy Table. Scholars date the uppermost tier of the triumphal arch to the ninth century. The upper tier. All eight buildings - the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal . Christs transfiguration therefore indicates a return to this natural supernatural state of the human person. but in the fifth century they occupied Italy and The eighth day resurrection therefore takes human nature beyond the endless trapped cycle of the seven day week. The phrase Son of Man coming in his Kingdom is often used to describe Christs Second Coming at the end of the age. But the wonderful thing is that this mosaic depicts not just the event, but also the meaning of the event its many meanings. That this is a valid interpretation of the ninety-nine stars is affirmed by the inclusion of Abraham in a mosaic panel on the south wall of the apse (see figure 18). The Scriptures after all end in the city of God coming down out of heaven to earth, radiant in its fullness, for the glory of God gives it light, and the Lamb is its lamp (Rev. But, as we shall see, these themes are nevertheless theologically implicit because the mosaic explicitly links the Transfiguration with the Holy Liturgy and the Lords Second Coming. What does all this imagery mean? Mosaic. In the Gospel of Matthew Christ tells us that at His coming again there will appear the sign of the Son of Man in heaven (Matthew 24:30). Ours is a seventh century work, but of poor quality, probably due to the multiple restorations it has suffered over the centuries. The middle layer is consist of prophets, saints and evangelists. The some who stand here are Peter, James and John. The phrase Son of Man coming in his Kingdom the phrase often used to describe Christs Second Coming at the end of the age. Two men, Moses and Elijah, appeared in glorious splendour, talking with Jesus. But what stands out most to the viewer is the whiteness of the sheep against the green and to a lesser extent also Moses and Elijah, whose white is not quite so contrasting against the golden background. Early Christian, 493-504; established by Theodoric when he was king of Italy; palace church; relics of St. Apollinarus brought here in 9th cent. NOT! the capital city had been moved to Ravenna, bearded man with gold halo, cross [symbol of martyrdom], book; striped tunic [dalmatica] worn by deacons and bishops, mantle [pallium] conferred on bishop by Pope; cupboard with gospel books; metal grille w/fire, because Lawrence was grilled alive, Christ is a beardless youth, long hair, halo; holding cross in one hand, feeding lamb; in gold and purple as an imperial figure; pose reflects both Christian and classical (Orpheus) imagery, style of mosaics (Mausoleum of Galla Placidia), Late Antique Roman; impressionistic, illusionistic; floor, space, depth, perspective, small; dark blue background; 567 8-pointed stars in concentric circles; gold cross, arms pointing eastward, seven stars (of the Apocalypse or planets), four symbols of the Evangelists, shaped like a pinecone, sign of immortality. people changes the images for "political" purposes. Round campaniles appeared occasionally in later periods; the famous Leaning Tower of Pisa (begun in 1173), sheathed in a series of superimposed arcades, is a more elaborate version of this type. And just to the right While he was speaking, a cloud appeared and covered them, and they were afraid as they entered the cloud. How do we know that this mosaic depicts the Transfiguration? its nave wall decorations. The mosaic aims to encompass not just the beginning but also the end, the fulfilment of Gods work of salvation in Christ. Deeply rooted in the classical tradition. Irenaeus reminds us that Man is created in the image of God [i.e. This makes the apse trinitarian, if one takes the gold background and the white to suggest the presence of the Holy Spirit. Moses and Elijah are depicted plainly either side of the cross. Likewise, Christ returned to the world with His three disciples after His Transfiguration. accept this candle, a solemn offering, And at the front of the 405-431 and builder of Ravennas cathedral and baptistery; and Ursicinus (VRSISINVS), bishop 533 -536, and commissioner of SantApollinare in Classe. They're also holding crowns, which they'll be offering to Christ. They symbolize the four evangelists: the eagle is John; the man Matthew, the lion Mark, and the ox Luke. Together with the rocks and the trees this mosaic represents all three kingdoms: the mineral, vegetable and animal realms. The mosaic possesses various concentric bands of enclosure. This haloed saint stands in the midst of the garden, with his hands raised in prayer. In Aramaic it explicitly refers to a royal park. To log in and use all the features of Khan Academy, please enable JavaScript in your browser. Absolutely! The Ladder of Divine Ascent icon showing monks ascending to Jesus in Heaven, top right. How are we to understand the large figure of Saint Apollinare (identified by the inscription SANCTVS APOLENARIS)? . We were made in the image of God, but had the task to grow in His likeness through love for and obedience to Him. The Gospel of Matthew makes very clear the connection between the Taboric experience and the Second Coming when he writes: Truly, I say to you, there are some standing here who will not taste death before they see the Son of man coming in his kingdom (Matthew 16:28). This mosaic shows Jesus standing in a hilly landscape. which glowing fire ignites for Gods honour, They are labelled Moses and Elijah (MOYSES and HbELYAS to be precise), and it is they who appeared with Christ during the Transfiguration. These female saints on the north wall of the church stand opposite opposite a mosaic of male martyr- saints on the south wall whose clothing reveals different gammadia. These figures hold books and scrolls. Sunlight enters each piece and re-emerges as emerald tinted. Over the tunic of skin given by his parents as a result of their fall, Abel wears a priestly chasuble. The city of Classe and the Holy Virgins Procession, mosaic, north wall, lower level, Basilica of Sant'Apollinare Nuovo (UNESCO World Heritage List, 1996), Ravenna, Emilia-Romagna. The Basilica of Sant' Apollinare Nuovo is a basilica church in Ravenna, Italy.It was erected by Ostrogoth King Theodoric the Great as his palace chapel during the first quarter of the 6th century (as attested to in the Liber Pontificalis).This Arian church was originally dedicated in 504 AD to "Christ the Redeemer".. In other words, His second coming will be like His Ascension, with a cloud of witnesses (the stars), accompanied by the sign of the Son of Man (the cross). The wise artist or craftsperson uses their power over the medium with love and discernment, to raise the raw material into something even more beautiful. And when we looked down the nave, we see fabulous mosaics. Christ is the second Adam, who becomes and fulfils all that the first Adam (that is, us) failed to be and do. The Church is a priestly being, whose calling is to give thanks for all creation and to offer it to the Creator. Nov 2019. This hymn was composed perhaps as early as the fifth century, and certainly no later than the seventh, so it may well have been known by the person who designed the mosaic and therefore support this interpretation of the bees on Apollinares chasuble. Hence we find below the cross also the Latin words, Salus Mundi, the salvation of the world. Their authority therefore exists not to subjugate and oppress their medium, but to raise it up and make it even more articulate. And so you can see this But the curvature of the apse means that the actual running dimensions of the apse are greater still: around 24 metres/78 feet wide, and 17 metres/55 feet high. Portrayals of Jesus as universal sovereign or victorious hero were favoured in areas influenced first by the culture of the imperial court, and then by Byzantine art. The Basilica of Sant'Apollinare Nuovo was also erected by Theuderic. It is however not impossible that it is a remake of an earlier work made at the same time as the conch mosaic, in the sixth century. Identify the following term or individual and explain their significance. The Two Faces of Jesus - How the early church pictured the divine, Robert M. Jensen, BR 18:05, Oct 2002. How are we to understand the large figure of Saint Apollinare (identified by the inscription SANCTVS APOLENARIS)? The creation account in Genesis (2:15) tells us that The Lord God took the man and put him in the Garden of Eden to work it and take care of it. All this fecundity is finally embraced and contained by a broad arch of foliage that supports a host of birds, singing no doubt. He stands behind an altar with two loaves and a chalice. liturgical ceremony and texts, and relevant It is not a matter of being artistically creative for its own sake, but of being more theologically and pastorally alive so that we can express timeless things in a fresh way in order to wake us up. Also, on either side of the great jewelled cross are three sheep. The number eight arises again in this context, linking the Abrahamic covenant with the Transfiguration and Resurrection: God commands the Israelites to circumcise all their males eight days after their birth (17:12). It is here, during the Holy Liturgy, that the Holy Spirit descends and makes the bread the Body of Christ, and the wine His Blood. This church contains magnificent mosaics depicting the teachings, miracles, Passion, and Resurrection of Christ; these are among the oldest such representations in existence and are. The Creator in His turn transfigures and offers this world back to us. And there are still more laid out on the triumphal arch and in the curved apsidal wall below. Secondly, the curvature of the apse itself is a form of enclosure. This is the institution of This is the right wall of the nave. Above him is a great golden cross set within in an orb of star speckled blue. And then across from that, we can see the port city of Classe, which Each side are the four winged creatures, each holding a Gospel. This hymn was composed perhaps as early as the fifth century, and certainly no later than the seventh, so it may well have been known by the person who designed the mosaic and therefore supports this interpretation of the bees on Apollinares chasuble. In this case, He has become the Gardener in Eden. The brightly coloured clouds suggest the bright cloud that overshadowed them. A divine hand reaches down from the summit of the semi-dome. is just south of Ravenna. martyrs on the other side. Constantinople was Orthodox. This sign of the Son of Man has been understood by the Church Fathers to be the cross. Dura-Europos, 3rd century, Caiaphas the high priest. Italiano: Basilica di Sant'Apollinare Nuovo a Ravenna: 'Il porto di Classe.'. The Creator in His turn transfigures and offers this world back to us. This mosaic suggests not just a park, but a royal park. We think of Mount Sinai in particular, where Moses met the Lord. Mastering all the usages of 'Greek cross' from sentence examples published by news publications. Book the most popular Literary activities in Basilica of Sant' Apollinare Nuovo. These and other anomalies immediately invite us on a journey to try and discover their meaning. The mosaic was made with thousands of little colored pieces of glass and put together. When one sees it in the flesh it seems both vast and verdant. Collectively we are that lost sheep, and the good angels are the ninety-nine sheep not lost. The union that this mosaic affirms is not just between God and man and matter, but also between the all faithful throughout time. The artists power over his or her medium is that of craft and wisdom (Minerva the Roman god of wisdom was pertinently also the good of crafts). On the left side are the secular authorities: the emperor and his brothers Heraclius and Tiberius, with a fourth figure holding a ciborium. Perhaps that could make a good article for the OAJ ?. They are generally taken to indicate Christs Second Coming, for He will come like the sun rising. He is accompanied by another bishop (perhaps his predecessor Maurus (642-671), plus a priest in a yellow chasuble and two deacons. Omissions? The uppermost band presents Christ's . ing the nave of Sant'Apollinare Nuovo in Ravenna. A mountaintop is a place of ecstasy, from which we eventually have to descend. It was not in fact not surprising that Christ shone with light, for He is the glory of the Father, light from light, true God from true God. But, as we shall see, these themes are nevertheless theologically implicit in the mosaics explicit linking of the Transfiguration with the Holy Liturgy and the Lords Second Coming. Christian Mosaics, Basilica of Sant'Apollinare Nuovo, Magic Lantern Glass Slide. For the Persians it came to refer to their expansive walled gardens. While the fleets of the unified Roman Empire faced few great naval threats, operating as a policing force vastly inferior in . [2] English translation from the Roman Missal 2010, International Commission on English in the Liturgy Corporation. As the men were leaving Jesus, Peter said to him, Master, it is good for us to be here. A hand symbolizing the voice of the Father. Sponsored. The mosaic is very similar to one of Emperor Justinian found in nearby at San Vitale, and is no doubt based on it. For the Greeks it became paradeisos, a park for animals. As the men were leaving Jesus, Peter said to him, Master, it is good for us to be here. Sant'Apollinare Nuovo. 21:23). The wise artist or craftsperson uses their power over the medium with love and discernment, to raise the raw material into something even more beautiful. Which phrase best describes the style of the Christ as Good Shepherd mosaic from the Mausoleum of Galla Placidia at Ravenna? The Septuagint translates the Hebrew term gan or garden (Genesis 2:8 and Ezekiel 28:13) with the Greek word paradeisos. A voice came from the cloud, saying, This is my Son, whom I have chosen; listen to him.When the voice had spoken, they found that Jesus was alone. Dura-Europos, 3rd century, Caiaphas the high priest. (C) borrowed So our mosaic suggests a link between this promise to Abraham and the kingdom to come, in which the faithful from many nations are gathered into the New Jerusalem, the kingdom of God, to live in an everlasting covenant with Christ. Even when we do have good and creative alternatives to the usual imagery, we are discouraged and repressed. In the upper reaches of the Church of Sant'Apollinare Nuovo in Ravenna, just below the painted wood ceiling, appears a striking series of 26 mosaics portraying the life and passion of Jesus. The great meadow of luminescent green mingles with blue and gold, adorned with imperial reds. St Apollinare himself is clothed in a brilliant white dalmatic under his chasuble. about 450. Others may or may not have been. topics together to highlight the unified witness Why then did He allow His light to shine in this particular instance, on Mount Tabor? Sant'Apollinare Nuovo, built c. 500, renovated 560s, Ravenna, Italyspeakers: Dr. Beth Harris and Dr. Steven Zucker Place a check (V)(\boldsymbol{V})(V) in the blank next to each sentence that uses capitalization correctly. scenes of the life of Christ. This was a church that There He walks and talks with us. It is interesting to contrast this scene with that in Genesis. Of much greater significance, however, are the sumptuous mosaics that cover the walls of the nave. The hand above would therefore indicate the voice of the Father, saying, This is my beloved Son, with whom I am well pleased; listen to Him (Matthew 17:5). I have the privilege of possessing a few of the original sixth century tesserae from this mosaic, given me by one of the restorers who worked on it in the 1970s. Some of the Church Fathers say that Adam and Eve were in fact clothed with light before the fall, and only became naked when they turned from Gods way. The altar table, symbolically speaking, is the exclusive prerogative of the Church, but the ciborium protects this altar, and this protection the state can offer through its laws and privileges. Abraham is also priestly, ready even to offer his own son on the altar. There, according to the Genesis account, God placed us humans and give us the task to cultivate it. These female saints on the north wall of the church stand opposite opposite a mosaic of male martyr- saints on the south wall whose clothing reveals different gammadia. He wants to show His disciples the purpose and end of His work a few days before His crucifixion. The ultimate purpose of Christs incarnation is our deification, our union with Him. This is usually taken to refer primarily to His crucifixion, but I would suggest that at the same time it refers to His Ascension, His departure from earth into heaven. It is in fact a depiction of the Transfiguration of Christ, as described in the Gospel accounts of Matthew 17:1-8, Mark 9:2-8 and, most notably, Luke 9:28-36. The sheep of course represent the human flock of Christ. His hands are raised in the orans gesture. The figures displaying gammadia are almost exclusively male, except for a long line of female martyr-saints in the mosaics of the Basilica of St. Apollinare Nuovo. St Apollinare himself is clothed in a brilliant white dalmatic under his chasuble. It is set in divine time, in kairos, where past, present and future exist together in Christ. So this hymn traces the stages from God-given nectar, to the work bees transforming nectar into honey and wax, followed by mans work to change the wax into candle. But this visual discourse is not merely to be observed. and their confrontation. They are independent, each with boundaries according to their God-given responsibilities, but each also assisting the other to fulfil Gods purpose. 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